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The fast, erratic, net-rushing tennis-player is a creature of impulse. There is no real system to his/her game, no comprehension of your game. He will make brilliant coups on the spur of the moment, largely by instinct; but there is no, mental power of consistent thinking. It is an fascinating sort of character.

The most unnerving player is the one who mixes his/her style from back to fore court at the command of an ever-active mind. This/her is the player to study and learn from. He is a player with a definite intention. A player who has an answer to every query you present him in your game. He is the most subtle opponent in the world of tennis. He is of the school of Brookes. Second only to him is the player of slavish determination that sets his/her mind on one plan and adheres to it, bitterly, fiercely battling to the end, with never a thought of changing.

This is the player whose psychology is rather simple to understand, but whose mental viewpoint is difficult to derail, because he never permits himself to think of anything but his game. This/her player is your Johnston or your Wilding. I respect the mental capacity of Brookes more, but I admire the tenacity of purpose of Johnston.

Choose your type from your own mental processes, and then work out your game along the lines best suited to you. When two men are on the same level concerning stroke, strength and equipment, the determining factor in any game is the mental standpoint. Luck, as it is called, is often no more than grasping the psychological value of a break in the game, and turning it to your own account. People talk a lot about the “shots we have made.” But few people realize the importance of the “shots we have missed.”

The psychology of missing shots is just as vital as that of making them, and at times a miss by an inch is of more value than a return that is killed by your opponent. Let me explain. A player drives you far out of court with an angle-shot. You run hard for it, and having reached it, you smash it hard and fast down the side-line, missing it by an inch. Your opponent is surprised and put off his stride, realizing that your shot might just as well have gone in as out. He will expect you to try it again and he will not take the risk next time. He will attempt to play the ball, and may make an error. You have thus stolen some of your opponent’s confidence, and increased his/her chance of error, just because of a miss.

If you had merely tapped back that ball, and it had been killed, your opponent would have felt increasingly confident of your inability to put the ball out of his/her reach, while you would merely have been winded for no reason.

Let’s just say that you made the shot down the sideline. It was a seemingly impossible get. First it amounts to TWO points in that it took one away from your opponent that should have been his/her and gave you one you ought never to have had. Second it also upsets your opponent, as he thinks that he has thrown away a big chance.

The psychology involved in a tennis match is very interesting, but easily understood. Both men begin with equal opportunities. Once one player establishes a real lead, his/her confidence goes up, while his/her opponent worries, and his/her mental viewpoint becomes poor. The sole objective of the first player is to hold his/her lead, thereby maintaining his/her confidence.

If the second player draws even or pulls ahead, the inevitable reaction is an even more drastic contrast in psychology. There is the natural confidence of the leader, but boosted by the great stimulus of having turned a seemingly sure-fire defeat into a probable victory. The case of the other player is the reverse. He is apt to lose confidence and play worse. The breakdown of his game plan will be the result.

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Tennis psychology is only understanding the workings of your opponent’s mind and assessing the effect of your own game on his/her mental viewpoint and also understanding the mental effects resulting from the different external causes on your own mind.

However, it is true that you cannot be a successful psychologist of others without first understanding your own mental processes. Therefore, you must study the effect on yourself of the same thing happening under different circumstances. This is because people react differently in different moods and under different conditions.

You have to understand the effect on your game of the ensuing irritation, joy, confusion, or whatever other form your reaction is. Does it improve your efficiency? If so, try for it, but never offer it to your opponent. Does it rob you of concentration? If so, either remove the cause, but if that isn’t possible, try to ignore it.

After you have properly measured your own reaction to conditions, study your opponents to determine their characters. Similar temperaments react in a like manner, and you may judge people of your own sort by yourself. Different temperaments you must seek to liken with those people, whose reactions you are already familiar with.

Someone who can regulate his/her own psychology runs an great chance of reading those of someone else for the minds works along certain lines of thought and can be studied. One may only control one’s own mental processes after studying them meticulously.

A steady, phlegmatic baseline player is seldom a quick thinker. If he was he would not adhere to the baseline. The physical appearance of a player is usually a pretty clear indicator of his/her sort of mind. The stolid, easy-going player, who usually advocates the baseline game, does so because he hates to stir up his/her slow mind to think out a safe method of getting to the net.

Then there is the other type of baseline player, who would rather remain on the back of the court while directing an attack intended to break up your game. He is a much more dangerous player, and a deep, keen thinking antagonist. He achieves his/her results by mixing up his/her length and direction and worrying you with the variance of his/her game. He is a good psychologist.

The first type of player mentioned above merely hits the ball with little thought about what he is actually doing, while the latter always has a definite strategy and sticks to it.

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I expect that this, my initial dissertation on the fundamentals of tennis, will be found useful by both novices and experts alike in the tennis world. I am striving to arouse interest in the student of the game of tennis by a somewhat lengthy discussion of match play, which I trust will shed a new light on the game of tennis.

I will turn to the novice in my opening and write of certain matters which are second nature to the skilled player. The best tennis equipment is not much good to the beginner even if he really is trying to succeed. However, one has to buy good quality; it is a saving in the end, as good quality material far outlasts poor quality gear.

It is vital always to wear tennis apparel when playing tennis. The question of selecting a tennis racquet is a much more serious decision. I do not like to force a certain make of racquet upon any player, since all the standard makes are of excellent quality. However, the weight, balance, and size of the handle are the really important considerations when selecting a racquet frame, while good stringing is essential to get the best results.

After having selected your racquet, make a firm resolve to use only good tennis balls, as a consistent bounce is a great aid to advancement, while a “dead” ball is of no use at all. If you really want to advance at tennis and progress rapidly, I strongly urge you to watch all the good tennis you can. Study the play of the leading players and try to copy their strokes. Read all the tennis instruction books you can find. They are a great assistance.

Much more tennis can be learned off the tennis court in the study of theory and in watching the top players in play, than can ever be learned in one’s own actual play. I do not advise that you should miss opportunities to play tennis, far from it. Play tennis whenever possible, but strive when playing to put into practice the theories you have read about or the strokes you have watched.

Do not allow yourself to become discouraged by slow progress. The way of playing some stroke you have worked on over weeks in vain, will suddenly come to you when least expected. Good tennis players are the product of hard work. Very few players are born geniuses at the game. Tennis is a game that pays you interest all your life. A tennis racquet is a letter of introduction in any city.

The fellowship of the game is universal, for none but an athletic sportsman can succeed in the game for any long period of time. Tennis offers relaxation, excitement, exercise, and pure enjoyment to the player who is bound hard to his business until late afternoon.

The following order of development produces the quickest and most lasting results: 1. Concentration on the game. 2. Keep the eye on the ball. 3. Foot-work and weight-control. 4. Strokes. 5. Court position. 6. Court generalship or match play. 7. Tennis psychology.

Concentration. Tennis is played first with the mind. The best racquet technique in the world will not suffice if the playing mind is erring. There are many causes of a wandering mind in a tennis match. The main one is lack of interest in the game. No one should play tennis with any expectation of real success unless he cares sufficiently about the game to be willing to do the practice necessary to learn the game properly.

Give it up at once unless you are willing to work hard. Conditions of play or the noises in the gallery often confuse and bewilder experienced match-players playing in new surroundings. Complete concentration on the matter in hand is the only cure for a wandering mind, and the quicker the lesson is learned the more rapid the improvement of the player.

The best way to keep a match in mind is to play for every set, every game in the set, every point in the game and, finally, every shot in the point. A set is merely a collection of made and missed shots, and the man who misses the least is the final victor.

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It is pretty unimaginable that people will not have heard of the French Open tennis championship, because it is a competition which is a regular topic of conversation. In French the name of the competition is ‘Les Internationaux de France de Roland Garros’ or ‘Tournoi de Roland Garros’. This tournament, which lasts for about two weeks is held in Paris at the Roland Garros Stadium, from which it got its name.

The French Open is one of the most publicised and broadcast sports events in the whole world of sport and many VIP’s go to it. The attendees of the game are fanatics who await with baited breath every stroke, especially when there is a tight struggle between the two teams, trying their best to win. TV viewers actually get a feeling of being there live too.

The French Open tennis championship is the second on the annual round of the Grand Slam tournaments and its history goes back to the year of 1891 when it was elevated to an international competition. In those days, it was called the ‘International Championship of Tennis of France’ or ‘Championat de France International de Tennis’ in French.

First of all, only players that were registered or licensed in France were permitted to join in this competition, but things took a different turn in 1925, when the French open tennis tournament finally became accessible to foreign players. Until 1912, the court the participants used was made of crushed red brick dust. Actually the crushed brick was formed into a sort of red clay that was spread over the ground, which, until then, would have been a grass lawn.

The public popularity of the French Open tennis tournament held at the Roland Garros stadium, dates back to a competition between the Philadelphia Four (Rene Lacoste, Jean Borotra, Henri Cochet and Jacques Brugnon) who won the Davis Cup in 1927. It was the trigger of the desire in the French to defend their cup in future competitions. This new tournament was designed to bring back home the cup and was held at a stadium named after the World War I pilot Roland Garros. Since then the name has stuck.

The term ‘open’ was has been used from 1968, when the tournament was open to both amateurs and professionals alike who wanted to test their skills at tennis. Since then the French Open tennis tournament has also brought in some novel prizes.

Beside the regular winners’ prizes, they also award a ‘Prix Orange’ for the most correct and press friendly player, a ‘Prix Citron’ for the player with the strongest personality and a ‘Prix Burgeon’ for the one that turns out to be the revelation of the tennis year.